Saturday, November 17, 2012

Announcing the 2013 Calendar


(front cover)

Curator’s Statement by Rachel Martin
The paintings of Stephen B Brooks chosen for 2013 represent specific moments in the trajectory of the artist’s portrait series, which encompasses 340 paintings over a period of 4 years (2004 - 2007).  The portraits invite one to “Wake Up!” and express a sense of basic goodness that is universally inherent to our experience as human beings. 
The task of curating a exhibition of Stephen’s work at the Inverness County Centre for the Arts in Cape Breton, Nova Scotia was a delight, as I’ve gotten to know the work more and more over the past 5 years (beginning with our first collaboration together on the 2009 calendar “Imaginary Book Characters”).  The exhibition itself included 45 portraits, which here have further been reduced to 12.  The color and composition in the chosen pieces shows the development from the earlier “Wild Faces” series to the final, more mature pieces from 2007.  It is difficult with such a small selection to truly show the full range of the variety of Stephen’s numerous themes and moods, but one could say the portaits here begin very cheerfully and intense and progress into being more spacious and subdued.  I have attempted to extract the pieces that I feel have a unique presence both on their own and in the context of the larger group.  I hope that you enjoy this journey of 2013. 


(back cover)

Please email us at adventurerpress@gmail.com to request your 2013 Calendar (Include your name, mailing address and quantity).

Saturday, November 10, 2012

Two Husbands'... Part 2, Chapter 33


Blankets Above

2 Wives and helpful Witchdoctor

(There has been another change of procedure. The Witchdoctor is improvising for the two Ladies with El Sultam’s carpets and the German formulas)

ONLOOKER 
Look! A Wife is are supposed to go up
through those blankets!

NARRATOR
Yeah, the Witchdoctor’s carpet blanket comes down,
sees swiftly through them - and they float upward
through its consecutively imposed reflections.

ONLOOKER
More illusive blankets,
like hallucinating tissues floating up!

NARRATOR
The Wives keep reaching a further hole
to get a lift-off up through - on and on,
as they broad band over the earth
until they reach home.

ONLOOKER
As they broad band through unfolding,
peeling up tissues that are lifting
further and further off, away from each other...

2 Wives’ expanding universe

NARRATOR slowly describing a lifting and descending arc with his hand,
Yeah. And the Wives latch on and pull through and lift up
and appear above - and above - and above -
until they get let down softly at home.

ONLOOKER
They appear to be going through
propelled by an attraction up
from the fitting over of the original carpet
by the Witchdoctor - that causes them
by imperilous magic to revert to up -
    to soar up, to spring fully chastised
    (or chastity-sized, I think)
from the launching table set out in the jungle
near the Witchdoctor’s grass hut.

Witchdoctor’s blanket and Two Wives

NARRATOR
Yes. They are lifted off by the Witchdoctor’s help -
by his woomping down on them with
a splendid carpet seemingly bejeweled
    with strange occult designs
which, like bumpers in a pinball game,
seem to light up and talk to each other,
    ‘cling!’ and ‘clang!’
all along the carpet threads
    sending messages;
until the buttons (sewn in too)
open up a supercharged airy hole
which geyser-shocks the Two Wives
    half-way across the world
through many magnificent, magnifying lenses
appearing like towels or tissues
spread out in infinite succession
    across the sky
    one after the other,
    for miles!
Until the Wives can get down safely
    on to the ground.


Many Blankets

TWO WIVES
The blankets seem heavy
but they turn to air.

ONLOOKER
Is the Witchdoctor helping?

NARRATOR
Yes.

ONLOOKER
The blankets and rugs are lifting up?

NARRATOR
Yes.

ONLOOKER
The Witchdoctor is a friend?

NARRATOR
Yes.

ONLOOKER
So, they didn’t steal his oil-cloth blanket?
Why not?

NARRATOR
So that he could demonstrate ‘insubstantiability’.

ONLOOKER
Who’s insubstantial? The women or the blanket?
Or neither?

NARRATOR
He can demonstrate that they can go up through the blanket
by his waving it down upon them.
It sees through them and they soar up through, somehow!

Blankets above!

He told them, “Get up on that table!”
And they both did. Then he waved
a big, dark blanket over them,
like the eclipse of the moon.
And then, they were flying up through it -
sort of propelled above - projected onward
from blanket to blankets
    that seemed to peel off
    one after another
    like bells ringing in the sky...
And the echo following after,
to the farthest valley going.

ONLOOKER
Like the Wives traveling
until they reach
their destination
to be set down carefully...

(The Narrator looks put off by this response but he’s interrupted by a thoughtful Medical Student who has been attentive to their descriptions)

MEDICAL STUDENT 
Excuse me, I say the pressure of going through
the blankets’ skin or weft
pushes them upwards,
always through to the next capillary
where they’re prepared and palpitated
and passed through
to the next floating entrance valve.

NARRATOR
Like fading echoes of ringing bells
they get farther and farther away 
from the jungle village and the Witchdoctor.

ONLOOKER
The many consecutive blankets
appearing as their causeway in the sky
fade quickly into nothing seen -
    after being passed
    through twice.

NARRATOR
By each lady at a time.

MEDICAL STUDENT
I believe the jungle Witchdoctor
has modeled his special blanket toil-cloth
    (as a functioning apparatus)
on jungle paramecium and their suckers:
    the pumping feelers
    that catch their prey
    and pass it along
by squeezing it up through the system
    in an oily film.

ONLOOKER
Yet, the Two Wives destination, through blankets ,
is not to be ingested anywhere
    but to get finally home!


(End of Chapter 33)

Sunday, October 21, 2012

Two Husbands'... Part 2, Chapter 32

 
Knots In A Blanket

2 Wives, “Is this a mess or what?”

(In the jungle the Two Wives hold up one of El Sultam’s carpets)

TWO WIVES looking closely at the carpet,
Interesting - a woven weap, or web pattern,
    in diamond shapes
crisscrossing a bit jaggedly
over themselves at inter-points
    where confluent channels
    of gleaming thread
seem to charge up together and bundle...

Perhaps, taking us to our destination
from where the pre-fixed coordinates
woven (by the Witchdoctor’s women)
    into the blanket
    seem to be?
At the knots on the cross-stitching.
Does this make sense?
I’m not sure how to tell it?

Yes. The interstices are joining there;
and, from the Witchdoctor’s special
jungle goop threads, drawing in power
    in red, yellow and green
that runs through them and hides -
like the birds at the tops of the trees.

And, once the knots are
woven-mattered and really connected,
the light, light colored plumage
    grows and lifts upon us!
    And we can go!

So, then, all is light,
    like rainbow thread,
    and wavery -
thus, able to sustain
long-distance driving
over long oceans, hot mountains,
lower down dust bowls,
gravelly mesas and so on.

Back home.

Yes, back to the home that we have
yearned for so much.

Back to our two men.

Yes, the husbands who we have remembered
well enough and yearned for, too.

NARRATOR determining the outcome of the new scenario,
Then, confluential happenings cross-happened
and all broke loose,
just staying apart again,
for the two couples separated...

2 Wives on their carpets sail in front of their 2 husbands down below
ONLOOKER
Does this have to happen?
Crossing, crisscrossing,
passing by, missing,
going in opposite directions?

(He feels genuinely touched by their predicament)

Day of pretty clouds.
Day of passing.

Approaching each other

Each group of two has vanished in its place.

NARRATOR
Their goals are different;
they are not, the two, to meet.

The Husbands have to go somewhere new.
The Wives back to their own starting place.
They pass by each other in the free air.
They don’t wave.

ONLOOKER
Why not? Because they can’t see each other?
Or, do they feel something go by
that’s strange?

NARRATOR
Enough speculation!
The Witchdoctor hasn’t got any of them
off the ground yet!


The Witchdoctor’s Magic Toil Cloth

Witchdoctor’s magic toil cloth

NARRATOR again, wondering how the Wives can escape
from the jungle village,
How do they dis-substantiate and fly -
    corporally disengage?
The Witchdoctor told them that they could
    become birds.
And are they flapping and flying?
    No. They’re not.
So far, they are still on the ground
with the Witchdoctor’s old ‘toil-cloth’:
    something uncanny
to get them to go somewhere else.

ONLOOKER
Another carpet?

NARRATOR
Yes, it’s staring there, almost alive,
with its nodes and eyes
looking up from the table,
where it’s bunched down, smoothed out,
unrolled, laid flat.

TWO WIVES, looking at the toil-cloth carpet,
On this new skin
is a whole lot of possibility.

Yes. In the written designs and patterns
upon it.

And for the two people placed upon it, too!
Over the top of it.

(They both stand on the carpet)

But we hardly fit.

Yeah, we’re jammed together.
Is there something shaking?

That’s me. I can’t get steady.

Are we going to go?

I don’t know?

Do you remember the Witchdoctor’s uncanny words?
his lamenting incantations over the greasy thing?
his wishes full, when he wanted to take us
to his paradisiacal cell?

(They both shake their heads in amusement)

He looks fearsome and ferocious
but it’s all a sham.

Worked up around make-up, feathers and a hat.

A tam.

His cheeks daubed with black
and his eye-liner red-orange;
black like a toucan
and his face whitened out.

A whitened-out sponge.

He gets puffy
and then turns thin.
There’s no way that we know
what to expect of him.

But he must have a lair,
away from the Chieftain’s rules,
where he plans his poison ventures
and hordes his local jewels.

His rules are on the oil-cloth
written up in hexagrams,
triangularily solid, deliberate, forthright;
embroidered with turtle’s bones
and shells of clams.

It’s clanking, jingling a little,
carried around.

Hear him coming.
It’s hanging down:
a large, flat piece of skin
that he’s holding in his hands.
We girls will get it from him.


(End of Chapter 32)