Sunday, July 15, 2012

Two Husbands'... Part 2, Chapter 24

 
The New Numbers Are Formal

Witchdoctor in his cave with the building

NARRATOR
There he is, naked on a stone couch
admirably holding up
a steaming building
of numbers and windows and life
and organisms growing in its clay!
This he has power over now.

By very good concentration,
using ameliorating plants,
he’s getting the Husbands’
wagering numbers to grow;
planting them as rough surrogates,
into the thick soil model
that stands up on his knee.
And these are sucking down
the twisting black seeds of vapor,
nervous and equivocating,
from the smoke above!

These rebellious, roving numbers
are ready to become the new ‘formals’
of the Husbands’ numbers.

The new numbers are formal!
The way to say what happens here
is way beyond me!

It’s like describing how a dandelion
puffs out its white life-tendrils,
the fragile fluffy leaves or stalks,
that can float around and get implanted here or there,
or swallowed (I know some seeds travel by hungry birds).

I am concerned here with the Witch Doctor’s wisdom application.
We’re talking about certain numbers being transposed
across those wide, vast distances of the Pacific Ocean
and beyond, in flight, like dandelion seeds!
And, like them, being at the mercy of the skies
or of the black waves (for nothing of dandelions
could be grown up from groundless down there)...


Numbers Come To Life!

Witchdoctor in his lair manipulates numbers

NARRATOR
The Two Husbands’ numbers jump to life off the page.

ONLOOKER
They jump up before them
and sprout out of the paper.

NARRATOR
They emerge fat and wholesome;
ready to be worshipped, desired
and clung to.

ONLOOKER
Because they are so big?

NARRATOR
No, because they are still numbers;
and these men really like, need and want
numbers for all they do; including loving or caring.

ONLOOKER
That’s inconceivable.

NARRATOR
True. Yet, if their numbers work out,
off the page into the graph and all over -
and back out into other people’s pockets
    as successful merchandise -
then, those two men are ready to be
    immensely gratified!
And, more, they’re already dressed up
    to do formal business.
And, look, it’s supposed that the numbers
are respectably dressed too. So they look good;
even better than shabby and big.

ONLOOKER
Although, I think they are shabby,
like rough-hewn chunks of wood.
And, they have cute doll-eyes stuck on
to keep beguiling the two men...

NARRATOR
I see the Witchdoctor in his cave
disturbing the Two Husbands in their offices.
He’s causing their numbers to grow up
off of their pages with that ink sap rising,
billowing up from the pages free-for-all -
like balancing jugglers’ acts - sort of tumbling out -
but maintaining the same well-inscripted shapes.

BIGGY
The ink is splashing up but retaining its form.
One, two, three... 
They’re on top and mixing in to our atmosphere,
joining us here. Don’t spill your coffee, Smally,
but it’s happening. It’s true, again! 
Something has baked up our calculations
right out of our page. They are proliferating
like pretzels in 3-D!
They’re gaining... Large!

Witchdoctor in his cave disturbing the Two Husbands!

NARRATOR
The Witchdoctor is commanding the Two Wives
to speak through the number-twigs
that he crumped inside his doll building
so that their voices will be transferred or transposed
to two of the self-inflating numbers in their husbands’ offices.
And from these two numbers they’ll speak out
and have an intentional pull upon the two men:
a pull to get their husbands to step inside the numbers!
an enlocking pull (not to disregard for one second)
to get each man to step inside his own numerical tool
to be blown or blasted off that calculating-table
    out onto the windowsill
    and into the beyond!

ONLOOKER
Meaning, hopefully, to go on a journey
    to meet his wife!


(End of Chapter 24)

Saturday, July 7, 2012

Two Husbands'... Part 2, Chapter 23

 
The Little Muffgee

Witchdoctor is visited

(A little jungle man - a Muffgee - holds up a flat, oracular instrument 
in front of the Witchdoctor’s mouth)

NARRATOR not able to understand what is happening,
Who’s popped up to give him the draw -
to get him to look at himself or to see something
in a mirror that affects the whole building?
Maybe it’s something to help the Two Husbands
inside of their real building?

The Witchdoctor is visited...
Yes, he is in the jungle fair and proper
but he is experiencing something so unfair
and improper - is this true? What is it?
A compass or a mirror?
It seems like an obstruction
but I guess he’s chanting into it...

ONLOOKER
And sun sound vibrations are gathering
into a perpendicular ‘time’ compass
held up by a little fairy man
(who resembles an old friend, long forgotten).
And the sound fairy is making ‘ring’ vibrations,
(as if out of an old phone-receiver)
going out and in from the Witchdoctor’s word waves.

NARRATOR
And we think this is all very ’trippy’ or strange,
as he clings to the
thickening model building,
so heavy that now he has to
sit in a chair or on a bench
because that building weighs him down so.

ONLOOKER
And that building only props up
    a minimal carrier
of this most special device
that’s used in preparation for
the Husbands’ departure:
     a small mirror,
laughing back and forth
to the Witchdoctor - who is surprised
and shocked that it’s working!

WITCHDOCTOR
Who is this little fella’
hopping up on top, on to the rooftop?
What is he doing?
First, flashing my face
and then turning his dime mirror into
a mediator compass for far and wide miles
to be navigated; just by the waves of sound
that I’m making: ‘Cha Cha Oo La La!’

I’m speaking and the compass finds
a place to go for my voice.
And I keep hold, close to my heart,
on to the Husbands’ real city building
so that my words can travel there
and maybe move some things around -
so that the Husbands will jump up
and exclaim exhortedly, urgently,
that their numbers can’t possibly do
what I am really telling them to do!
(which will be to ranch up tall - much higher
than the two men - and to step up, stiffly at first,
off the graph squares to present  themselves
coolly, almost defiantly, above the men).

The Husbands’ affected numbers
will be encouraged by my words to become
suddenly three-dimensional and lively!
Peering down at the men, they will tell them
stories in sing-song about moving -
about embracing methodically on to them,
to be carried away on a new flight
to come visit their Two Wives,
who are here on these islands with me. 

But first, I must have an interior knowledge
and magic use of the fetishistic building that I’ve made.
I must get in upon its windows to send the numbers in
and to bring them out, after puffing them up solidly
as life-size containers (not numeric containers for counting, 
but boxes for travel - luggage compartments)
for the two men, who will swiftly be swooned
out of their offices and carried over the seas,
squished or languidly resting - depending upon
how fat they are once inside their numbers!

However, since I cannot actually see the two men right now,
how can I fashion the right-size numbers for them?
I must ask the Two Wives to give their husbands’
measurements to me...

At first and insult but then...

NARRATOR quoting from Theodor Andrea Cook (1914),
“The science of mathematics has been defined as “the great instrument of exact statement and mental manipulation - and when it is combined with the extraordinary power of visual imagination possessed by such men as _____ we see to what astounding results it may lead the human intellect.”

(Re-iterating the latest scene)

The Little Muffgee...

The little fairy guy (Muffgee) is taking a chance!
showing him the mirror!
right up into his face
and over his blathering mouth.

At first it’s an insult;
    but then,
that mirror thing in the little man’s hands
    begins to flash
and, we think, it’s going to permit
the Witchdoctor’s whole motivation
    to carry through.

But we can’t draw out a picture of it here.
It can’t take form because it’s easily formless:
    mostly emptiness,
    filling out (but not seen)
with circular charges going out-ways
    sent into the mirror
from between the Witchdoctor’s  lips and teeth -
    compressing there as if coiling up;
pinpointed, so to speak,
from the compassing  directions
to the correlating exact degrees
of the Husbands’ offices
on the other side of the globe! 
(pause)
Or, something like that?

ONLOOKER
So, then he could, pray tell,
manipulate the numbers?

NARRATOR
Correct.

A transformation

(End of Chapter 23)