Sunday, October 21, 2012

Two Husbands'... Part 2, Chapter 32

 
Knots In A Blanket

2 Wives, “Is this a mess or what?”

(In the jungle the Two Wives hold up one of El Sultam’s carpets)

TWO WIVES looking closely at the carpet,
Interesting - a woven weap, or web pattern,
    in diamond shapes
crisscrossing a bit jaggedly
over themselves at inter-points
    where confluent channels
    of gleaming thread
seem to charge up together and bundle...

Perhaps, taking us to our destination
from where the pre-fixed coordinates
woven (by the Witchdoctor’s women)
    into the blanket
    seem to be?
At the knots on the cross-stitching.
Does this make sense?
I’m not sure how to tell it?

Yes. The interstices are joining there;
and, from the Witchdoctor’s special
jungle goop threads, drawing in power
    in red, yellow and green
that runs through them and hides -
like the birds at the tops of the trees.

And, once the knots are
woven-mattered and really connected,
the light, light colored plumage
    grows and lifts upon us!
    And we can go!

So, then, all is light,
    like rainbow thread,
    and wavery -
thus, able to sustain
long-distance driving
over long oceans, hot mountains,
lower down dust bowls,
gravelly mesas and so on.

Back home.

Yes, back to the home that we have
yearned for so much.

Back to our two men.

Yes, the husbands who we have remembered
well enough and yearned for, too.

NARRATOR determining the outcome of the new scenario,
Then, confluential happenings cross-happened
and all broke loose,
just staying apart again,
for the two couples separated...

2 Wives on their carpets sail in front of their 2 husbands down below
ONLOOKER
Does this have to happen?
Crossing, crisscrossing,
passing by, missing,
going in opposite directions?

(He feels genuinely touched by their predicament)

Day of pretty clouds.
Day of passing.

Approaching each other

Each group of two has vanished in its place.

NARRATOR
Their goals are different;
they are not, the two, to meet.

The Husbands have to go somewhere new.
The Wives back to their own starting place.
They pass by each other in the free air.
They don’t wave.

ONLOOKER
Why not? Because they can’t see each other?
Or, do they feel something go by
that’s strange?

NARRATOR
Enough speculation!
The Witchdoctor hasn’t got any of them
off the ground yet!


The Witchdoctor’s Magic Toil Cloth

Witchdoctor’s magic toil cloth

NARRATOR again, wondering how the Wives can escape
from the jungle village,
How do they dis-substantiate and fly -
    corporally disengage?
The Witchdoctor told them that they could
    become birds.
And are they flapping and flying?
    No. They’re not.
So far, they are still on the ground
with the Witchdoctor’s old ‘toil-cloth’:
    something uncanny
to get them to go somewhere else.

ONLOOKER
Another carpet?

NARRATOR
Yes, it’s staring there, almost alive,
with its nodes and eyes
looking up from the table,
where it’s bunched down, smoothed out,
unrolled, laid flat.

TWO WIVES, looking at the toil-cloth carpet,
On this new skin
is a whole lot of possibility.

Yes. In the written designs and patterns
upon it.

And for the two people placed upon it, too!
Over the top of it.

(They both stand on the carpet)

But we hardly fit.

Yeah, we’re jammed together.
Is there something shaking?

That’s me. I can’t get steady.

Are we going to go?

I don’t know?

Do you remember the Witchdoctor’s uncanny words?
his lamenting incantations over the greasy thing?
his wishes full, when he wanted to take us
to his paradisiacal cell?

(They both shake their heads in amusement)

He looks fearsome and ferocious
but it’s all a sham.

Worked up around make-up, feathers and a hat.

A tam.

His cheeks daubed with black
and his eye-liner red-orange;
black like a toucan
and his face whitened out.

A whitened-out sponge.

He gets puffy
and then turns thin.
There’s no way that we know
what to expect of him.

But he must have a lair,
away from the Chieftain’s rules,
where he plans his poison ventures
and hordes his local jewels.

His rules are on the oil-cloth
written up in hexagrams,
triangularily solid, deliberate, forthright;
embroidered with turtle’s bones
and shells of clams.

It’s clanking, jingling a little,
carried around.

Hear him coming.
It’s hanging down:
a large, flat piece of skin
that he’s holding in his hands.
We girls will get it from him.


(End of Chapter 32)

Monday, October 1, 2012

Colorful Characters Exhibit

On September 28, we celebrated the opening of "Colorful Characters" an exhibition of 45 paintings and 100 drawings by Stephen B. Brooks at the Inverness County Centre for the Arts in Inverness, Cape Breton, Nova Scotia. You can also view more photos of the installation on our Facebook page, Adventurer Press. The show was designed and curated by Rachel Martin.